In the past, Arctic design has been dominated by colonial and nation-state interests, often influenced by design perspectives more appropriate to southern landscapes. Western-centric narratives and design paradigms that suffered from limited understandings of the internal dynamics, unique climatic conditions, and diversity of different people and cultures were often projected and forced — sometimes violently — onto the many different peoples and regions of the Circumpolar North. Today, emerging Arctic shipping routes, declining sea ice, expanding resource extraction, growing military imperatives, new geostrategic ambitions, and shifting tourism networks indicate the Arctic is an increasingly accessible and complex three-dimensional space. This evolution may offer plentiful economic opportunities but also create new risks and concerns among the eight Arctic states and their people groups. In the role of leading designer, collaborator, or consultant, Transpolar Studio aims to critically address these inherently spatial challenges through creative design projects located in the Arctic and Subarctic regions.
Mission
Office
Transpolar Studio is a design practice specializing in landscape architecture, urbanism, and design research in the Arctic and Subarctic regions. Bert De Jonghe founded Transpolar Studio in 2020. Bert is a landscape architect, a Guest Lecturer at the University of Toronto (John H. Daniels Faculty of Architecture, Landscape, and Design), and a Doctor of Design candidate at Harvard University’s Graduate School of Design (GSD). He holds degrees from Harvard GSD (Master in Design Studies), the Oslo School of Architecture and Design (Master of Landscape Architecture), and the School of Arts in Ghent (Bachelor of Landscape and Garden Architecture). In the past, he has worked as a designer at various landscape architecture practices worldwide and served in several teaching positions, including as a University Lecturer at the Arctic University of Norway (Tromsø) and a Lecturer in Landscape Architecture at Harvard GSD.
Projects
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Arctic Practices: Design for a Changing World emerges at a critical juncture wherein the very stability of Arctic ecosystems hangs in a precarious balance induced, almost entirely, by humans. This volume assembles forty-six contributors—designers, educators, artists, photographers, filmmakers, some Indigenous, some residents, and some visitors to the Circumpolar North—to create a polyvocal assembly of Arctic practices. This assembly represents an attempt to deliberately depart from traditional academic frameworks that have historically privileged Western voices and epistemologies.
The contributions collected here address critical gaps in published Arctic design literature. They also represent attempts to imagine new forms of design practice that might respond to the urgency of climate change and the necessity of reconciliation. This volume hopes to open new possibilities for meaningful design interventions across northern lands, seas, skies, and ice, always mindful of both the urgency of our present moment and the weight of historical injustices that have shaped these landscapes and the lives lived with them.
Authors: Claudio Aporta, Brandon Bergem, Mari Bergset, Caitlin Blanchfield, Arlyn Charlie, Thomas Juel Clemmensen, Bert De Jonghe, AK Dolven, Jakob Exner, Nadezhda Filimonova, Jeffrey Garcia, Aniella Sophie Goldinger, Maureen Gruben, Nicholas Gulick, Magdalena Haggärde, Peter Hemmersam, Elise Misao Hunchuck, Konstantin Ikonomidis, Morgan Ip, Maaretta Jaukkuri, Caitlin Jakusz Paridy, Jessica MacMillan, Dorte Mandrup, Nicole Luke, Gisle Løkken, Helena Lennert, Akie Kono, Kyra Kordoski, Elena Krapivina, Lasse Rau, Olga Petri, Andrey N. Petrov, Susan Schuppli, Todd Saunders, Anastasia Savinova, Lola Sheppard, Sofia Singler, Inuuteq Storch, Sophy Roberts, Svetlana Romanova, Marya Rozanova-Smith, Michael Turek, Eimear Tynan, Bertine Tønseth, Mason White.
Editors: Bert De Jonghe & Elise Misao Hunchuck
Graphic Design & Cartography: Studio Folder
Research support: Transpolar Studio
Copy editing: Elise Misao Hunchuck
Proofreading: Elizabeth Kugler
Publisher: Actar Publishers
Printing and binding: Gráfiques Jou
Pages: 464
ISBN: 9781638401339
Publication date: April 2025
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Svalbard is a Norwegian archipelago built on an irreducible plurality of interests and Arctic design traditions. Contesting Svalbard combines a granular understanding of the spatial implications of multinational occupation in Svalbard with a critique of the Norwegian nationalism underlying the Svalbard project. Five distinct challenges in Svalbard’s built environment are identified as fertile ground to inject a range of alternative futures, catalyzing the archipelago’s multinational character. A participatory and scenario planning approach based in design research is central to such an endeavor. In short, this study deals with and speculates about a cross-cultural, fluid, and plural set of issues and actors in an increasingly contested Arctic common.
Extra note: This study is based on six field trips to Svalbard and four years of extensive research. The participatory aspect of this study kickstarted with three co-design workshops in Longyearbyen during May 2023.
Image credits: Image 1: Longyearbyen. Photo by Bert De Jonghe; Image 2: One of three co-design workshops in Longyearbyen organized by Transpolar Studio. Photo by Olivia Eastwood, Nordover Svalbard, 2023.
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Through the lens of urbanization, Inventing Greenland provides a broad understanding of a unique island undergoing intense transformation while drawing attention to its historical and current challenges and emerging opportunities. Geared towards architects, landscape architects, and urban planners, this book examines the local cultural, social, and environmental realities with a distinct spatial sensitivity, recognizing the diverse array of relationships that the built environment both supports and produces. By exploring Greenland as a complex and interconnected cultural and geographical space, Inventing Greenland reveals and anticipates transitional moments in the region’s highly intertwined urbanized, militarized, and touristic landscapes.
With contributions of: Bert De Jonghe (author), Charles Waldheim (foreword), and Mia M. Bennett (co-author of chapter one).
Copy Editor: Mia M. Bennett
Proofreading: Elizabeth Kugler
Publisher: Actar Publishers
Printing and binding: Arlequin
Pages: 152
IBSN: 9781638409892
Publication date: March 2022
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Across the Arctic, a great deal of commercial aviation infrastructure has its roots in World War II military operations and their protraction during the Cold War.1 Although many of these military imperatives have weakened, the path dependency of air transportation networks, which require enormous amounts of fixed capital, makes them difficult to alter.
As airpower became key to global military might in the 20th century, Greenland’s neighbor, the United States, started building airstrips and missile defense sites in the country as a matter of national security. American interest heightened after April 9, 1940, when the Nazis invaded Denmark, which had controlled Greenland since the early 18th century. With Denmark unable to send supplies to Greenland, let alone exercise sovereignty over it, the Danish ambassador to the United States disobeyed the Danish government and signed an agreement granting American access to the world’s largest island.2 In addition to civilian resupply and the construction of facilities such as weather stations, ports, depots, search-and-rescue stations, and more, this agreement made it possible for the US to establish military airbases on Greenlandic soil. Greenland’s aeroscape was thus originally constructed to the needs of American military colonialism3 rather than those of Greenlanders.
Today, some Greenlandic policymakers are calling for the relocation of certain airports as both a necessary economic step and a move away from Danish and American histories. One example from eastern Greenland involves the proposed relocation of the military/civilian airport on Kulusuk Island (pop. 240) to the main population hub of Tasiilaq, 20 kilometers away (pop. 2000).4 Aligning Greenland’s aeroscape with centers of population and economic activity, however, could disconnect the settlements that initially arose to support American-built airports, and whose continued existence depends on their operation. As postcolonial nations work to reconfigure infrastructural networks to better match local needs, the difficulties that Greenland is encountering within this transition underscore the challenges of including communities whose origins lie in military and colonial interventions within new nation-building projects.
References: [1] M. Farish and P.W. Lackenbauer, “High Modernism in the Arctic: Planning Frobisher Bay and Inuvik,” Journal of Historical Geography 35, no. 3 (2009): 517—44; [2] J. Rahbek-Clemmensen, and L.J. Nielsen, “The Middleman—The Driving Forces behind Denmark’s Arctic Policy,” in Handbook on Geopolitics and Security in the Arctic, (Switzerland: Springer, 2020), 77—96; [3] M. Heymann, H. Knudsen, M. L. Lolck, H. Nielsen, and C. J. Ries, “Exploring Greenland: Science and Technology in Cold War Settings,” Canadian Journal of the History of Science, Technology and Medicine 33, no. 2 (2010): 11—42; [4] Stine Bendsen, Jesper Nordskilde, and Mads Paabøl Jensen, “The Transport Commission of Greenland,” Association for European Transport and Contributors, 2011.
Image credits: Image 1: The US Air Force providing fuel for Kangerlussuaq Airport, 1951, Bent Helmudt, Courtesy of the Danish Arctic Institute; Image 2: Kulusuk Airport, 2017, Bert De Jonghe.
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Soundscape of Murmansk
Date: 2019
Short description: In recent decades, industrialization has strongly shaped the landscape of Murmansk, Kola Peninsula, Russia. By documenting and merging industrial sounds, this study frames the soundscape of Murmansk into a scene of complex negotiation processes between multiple actors, both local and global. Link
Host organization: Inversia Festival
Special thanks to: BJ Nilsen and the Barents Center.
Positions
magazine article
Siedlungspolitik und Architektur: Wer ein neues Grönland will, braucht ein neues Bauen
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Authors
Bert De Jonghe & Peter Hemmersam
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Editor
Daniel Di Falco
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Book and Exhibition
Greenland - Everything Changes
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Place
The Alpine Museum of Switzerland
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Translations
German
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Date
2024
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Additional
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Journal
Kerb Journal 31
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Editors
Hosiasson et al.
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Date
2024
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Theme
Kerb 31 explores the role of limits in navigating design complexity
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Additional
Peer-reviewed Book Chapter
Airport Landscapes: The Case of Qaqortoq Airport, South Greenland
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Author
Bert De Jonghe
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Editors
Leena Cho and Matthew Jull
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Book
Design and the Built Environment of the Arctic
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Publisher
Routledge
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Date
2023
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Additional
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Speaker
Bert De Jonghe
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Date
28 November 2023
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Additional
Book Chapter
Climate Change and the Opening of the Transpolar Sea Route: Logistics, Governance, and Wider Geo- economic, Societal and Environmental Impacts
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Authors
Mia M. Bennett, Scott R. Stephenson, Kang Yang, Michael T. Bravo, & Bert De Jonghe
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Book Title
The Arctic and World Order
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Editors
Kristina Spohr, Daniel S. Hamilton
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Date
December, 2020
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Additional
Article
Tracing the Limits to Climate Adaptation: From the Pacific Small Island Developing States to the Arctic Region
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Authors
Begoña Peiro & Bert De Jonghe
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Publisher
KoozArch
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Date
November, 2022
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Additional
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Publisher
UrbanNext
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Editor
Marta Bugés
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Date
April 2022
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Additional
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Speaker
Bert De Jonghe
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Date
7 November 2023
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Additional
Peer-Reviewed article
The opening of the Transpolar Sea Route: Logistical, geopolitical, environmental, and socioeconomic impacts
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Authors
Mia M. Bennett, Scott R. Stephenson, Kang Yang, Michael T. Bravo, & Bert De Jonghe
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Journal
Marine Policy Journal, Volume 121
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Date
November 2020
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Additional
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Date
July 2022
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Additional
Spotlight
Teaching in the high-Arctic
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Summary
Bert De Jonghe's semester teaching in Arctic Norway (Fall 2023) is discussed on Harvard GSD's website.
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Date
January 2024
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Additional
Contact
Bert De Jonghe ©2025 Belgium
Company no. BE0656856482
Instagram: @transpolarstudio
Email: info@transpolarstudio.com